Hardend And Inflamed Cartilege Under The Knee

Meridian Zero Strikes Back!



Ok ok there is the citation: After many requests we decided to replicate the dinner meeting on September 1 and so is the new data: one to put on your calendar and circle with a red circle would say Rino Tommasi

Saturday, July 25, 2009 at 20.00 Restaurant & Cantina LA TABLE

We chose this date to allow even the extra reach of Padua.

So if you're not on vacation, would you like to talk about books, film noir, literature, the great fear is Dora Suarez by Derek Raymond, then

STAY WITH ZERO MERIDIAN

eh eh doing to an old slogan television ... oh well, there

kiss Ah, menus: 25 euros, of course, and as always: Reservation required.

For reservations write to: ufficiostampa@meridianozero.it

Further details:

kisses on your

Aff.mo

Matthew Strukul

The Eyes Are Too Close Together

MZ: IMPRESSIONS OF A DINNER



A wonderful dinner to Wednesday evening. Catapulted to the Bistrot "La Table" - good quality food, wine rouge to go go with Nardini closing of course - I enjoyed it as' na beast in scapicollarmi from table to table taking cues from each person and ideas for pirate eh eh. .. For example, I realized that I do not know one iota of noir as I had to do with a triumvirate of professionals - Walter Giordani, Nicola Berti, Fabrizio Canella - that have opened horizons phenomenal ... what is it called the author of Calumet City? If you do not you write down on a notebook, you're nobody ... or making me a culture of electronic music with Fabio Fracas (Stockhausen on everything but Fat Boy Slim can tell her ... but that is electronic pop). And then "the fucking pigeons" which Zappa Henry Unterholzner deep admirer of the guitarist in question, the inspiration for a photo exhibition and the fabulous Laura Liberal glasses, stuff that not even a professional killer. Chiara Baldini that I made two stupid questions of the evening I responded with a torrent of words, even if the written dries all chimichizzando prose, and Gottesman and Silvia Elena De Gasperi couple assault, which may disperses Forum editorial policy until the small hours and recommend optimal solutions to transform your home library without choking amid the pages ... but will not tell you how because there is a copyright to be respected. And then Carlo Callegari, sugarguy Codevigo, just back from Barcelona and then Heman Zed and then ... and then all the others who have spoken generously and for reasons of time (only 4 have available) I got to know better .
Well for me it was a blast, no predetermined lines, lots of chatter, challenges last noir, and words to go go with a good wine and beautiful people around the players, professionals. I would like for me, go on like this proposing the end of September, I think that the Big Chief and Marco Vicentini Silvia Vale and they agree with me.
I wait to know the Vs Impressions: Tell me I recommend here on the blog.
So we wait and find again in September to talk about, maybe then we can make a theme or maybe not ... who knows. "Have fun" ... a good summer and thanks to everyone for coming and remember that the zero meridian is a publishing house that grows with authors and readers, our energy.

Aufwiedersehen

I Returning to the monkey cage,

hugs,

on your Aff.mo

MS

List Gangsta Nicknames

ENNIO KITTERLEGNOSKY: WRITING FROM THE DRUG MESCALINA



July 11, 2009
ENNIO KITTERLEGNOSKY: THE NEW CHALLENGE OF MERIDIAN ZERO!

ATTACK

"We're running as two desperate.
I'm going to regurgitate the heart. My uncle Jeremiah
holds Baby Jesus close to himself and yelling that de-vo
looking back. My feet are going to fire.
The road that connects to the Corso dei Mille
State is a steep descent of white breccia.
My uncle Jeremiah is convinced that it is a sliding-
ciatoia. To expect with the engine running for a Fiat Palio diesel is
Ghino Sbrenna. According
Ghino we nibbled precious minute-
you through the escarpment
Vicolo San Barnaba. But he is a poor retarded. Once the
pecked while
fucked a goat. Locked him up in jail, then in a ma-
NICOM, then still in prison. Now is the new vo-
a free citizen. He started to look after the flock
, all day on the slopes of world-
tains. He returned from his lovers. "


A Kitterlegnosky do not like the Santa we all know, the one that arrives on Dec. 24, with the good-natured laugh, his cheeks ruddy and children on his lap. He prefers to imagine it in August, on a bench scraped, with tattered shorts, the body weighed down by old homeless man, and two daughters bags under the eyes of wild nights and alcohol. With a carton of wine in your hand tells you, between sips of wine, a crucifix in flames crammed coca and mothers seeking help with a knife in his hand. Better not to bring children.
Christmas pulp has only one real star: the loss of innocence. A collection of fun characters and grotesque, surreal and irreverent. Suspended in pure absence of guilt, fan barrage of unhinged comedy and compelling. His abrasive style burns like a smooth glass of tequila in one gulp her down.
fast and amazingly, the sure look Kitterlegnosky drag in trouble with no way out, the poor devils are ready to smash the race carts or kidnap baby Jesus, just to find a bit of luck. The comic side of
really bad luck the past.

Kitterlegnosky Ennio was born in 1980. He traveled around Europe and is currently staying in Switzerland, where it breeds bacteria.

Camera With Long Battery 2010

CALL Murder by Death ...




Wednesday, June 24, 2009, at 20:00 in Padua, Marco Vicentini, editor of the zero meridian with the entire editorial staff, will meet 'readers and aspiring writers, Venetians and, to a dinner Bistro at the LA TABLE Via Tiziano Aspetti No 7 (a side of the publishing house)
If you want to join us for an evening of talk and discussion on everything you can 'go for the mind, and' request for confirmation to reserve your seat.
The price for dinner and 'Euro 25.00, from appetizers to desserts.

Besos

MS

What Hapens When Paint Freezes

between comics and novels



Hombres de Meridiano Zero,

you tell me?

More and more authors, especially Americans, experience in parallel the language of comics and novels. What do you think? Above all, do you think is a mix that works? I think so, I am increasingly convinced that one of the things that can rejuvenate some formulas narrative, bringing new potential readers to books, is the crossover, intended as a soup, jam languages \u200b\u200band suggestions that can forge a style that is always immediate but no less complex, indeed. The comic is ultimately a very popular language. Just to take a recent example and noble, I think "The tigers of Mompracem" released on Lizard Rizzoli designed by Hugo Pratt and written by Mino Milani. The novel by Emilio Salgari comic ... not bad, but then we read the names of new authors writers rained American "bastards" who misrepresented continuously between novel and comic strip by the name of Joe R. Lansdale, who wrote novels drawn from characters in the comics - The long road to revenge (Edizioni BD) - and has scripted comics directly, the last is arriving Sandwiches featuring Conan the Barbarian. And what about Victor Gischler? Writer who has just become the regular series of Dead Pool for Marvel and has recently finished writing a series of stories for Wolverine and The Punisher? And Duane Swierczynski? Also working for Marvel at full capacity? (Cable and The Punisher, among others). But then there Gianfranco Manfredi, creator of one of the most beloved Italian comic as Magic Wind, which has just come out with the novel "I'm cold" by Gargoyle Books, and then Greg Rucka, Charlie Huston, Tiziano Sclavi ... But what
I was interested in bringing to light, so to speak in short, do not discover anything new, is that familiarity with the dialogue, the script, the obligation to write stories full of twists, weaving, changes in perspective and reversals in the face as required by the comic, these trains authors to write novels that have amazing stories and hyperkinetic.
Among other things, too often it seems to me, it tends to trivialize the effort that an author makes in constructing plot full of blind alleys, action scenes, syncopated dialogue, narrative elements as if they were discounted in the public domain, property of many.
I do not think so at all. Instead more and more I feel that all those authors and critics who disparage or criticize this kind of narrative, advocating the superiority of feeling, internalization, reflection, small things, the facts of each day, well I think they scontino atavistic inability to tell fascinating stories.
In this sense, the comic strip, with its fast-paced arena, to go go action and creation of atmosphere, I can make a vital contribution to the language of the novel.

on your aff.mo

Matthew Strukul